Bad Blood (La malasangre) [Griselda Gambaro, Marguerite Feitlowitz] on *FREE* shipping on qualifying offers. La Malasangre Y Otras Obras De Teatro [GRISELDA GAMBARO] on Amazon. com. *FREE* shipping on qualifying offers. Download Citation on ResearchGate | La Malasangre (review) | Theatre Journal They have produced a play by Griselda Gambaro, a contemporary Argentine.
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Gambaro’s dramaturgy is one of extremes. The play, La malasangre Bad Blooddebuted in [End Page ] Buenos Aires in toward the end of the Dirty War—when nearly 30, citizens were kidnapped, tortured, and murdered by the military government.
Though the production, by the Mexican director Alejandra Orozco, downplays the political for the personal, the many confrontations in the play strikingly display the power relationships. The production offers many similarly vivid and tense scenes of cruelty and aggression. The tone of playfulness shifts abruptly to naked violence as Rafael is dragged away by the father’s lackey, Fermin Dario Tangelsona creepy, fawning fellow. The Padre orders Rafael’s death, and upon viewing his lifeless body, Dolores vows revenge.
The superficially frolicsome act horrifies with its sexual suggestion of incest and underlying violence. Project MUSE promotes the creation and mxlasangre of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a agmbaro part of the academic and scholarly community it serves.
In order for the play to work dramatically, Dolores and Rafael must have a chemistry that bespeaks love and hate simultaneously. Further adding to the disturbing nature of the scene, the father orders Fermin to dance with Rafael, to humiliate the already victimized tutor.
The play reminds us that gambaor we cannot perfectly recapture the mood of s Argentina, bloody and battered by agmbaro, we can, in the current world, still feel Argentina’s pain as it undergoes yet another political, social, and economic crisis. The tortured nature of their relationship is exemplified in the scene where Dolores provokes Rafael to hit her by repeatedly cursing him as servile. His sadistic character is captured convincingly by the attractive actor Gerardo Gudino.
In contrasting scenes, Gambaro trenchantly displays the irony and cruelty of power relationships. Built on the Johns Hopkins University Campus. Dolores’s father ignores this sexual assault. Gajbaro MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
With a startling light change, Dolores alters expression and stares at her father, now cognizant of the real pain that she has gambaeo. Without cookies your experience may not be seamless.
After he does indeed strike her, she calls her father Benigno malwsangre by Mauricio ,alasangre, who [End Page ] easily moves between the character’s authoritative and comedic features, making Benigno a sadistic prankster.
The play is a brilliantly constructed chess game with characters who alternate between oppressor and oppressed. Theatricality becomes a form of torture for Dolores, and perhaps, the audience. They have produced a play by Griselda Gambaro, a contemporary Argentine playwright whose work is too rarely seen in the United States.
However, the Madre informs the Padre of their stratagem. The scene ends in a hellish, blackish red light, foreshadowing the blood that will soon run.
The Padre, named Benigno, alluding both malaszngre the fascist Benito Mussolini and commenting ironically to his own harmful nature, hires a hunchbacked tutor, Rafael, to instruct his spoiled and haughty daughter, Dolores.
The two young people eventually fall in love and plan their escape.
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