Zona: A Book About a Film About a Journey to a Room [Geoff Dyer] on Amazon. com. *FREE* shipping on qualifying offers. A Huffington Post Best Book of the. Zona: A Book About a Film About a Journey to a Room is a book by Geoff Dyer. Content. The book is a discussion by Dyer of the film Stalker directed. A Huffington Post Best Book of the Year There is no other writer at work today like the award-winning Geoff Dyer. Here he embarks on an investigation.
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There is simply a thin line dividing them. We watched Solaris again a few days ago, only to discover, predictably enough, that my wife no longer looks like Natascha McElhone in Solaris —but then neither does Natascha McElhone.
The work is based on a close, scene-by-scene reading with a large number of digressions, including autobiographical discussions such as the time and place where Dyer watched the film and observations of how his own perspective has changed over time – for example he declares that as he has aged he has grown less and less concerned with trying to find a definite answer to what the film as a whole ‘means’.
Next to her is a little girl with a head scarf, and next to her, the man who is presumably her father.
For me, a clear case for a five-star rating. Still fascinated by what he saw, he’s written a book about the film which is a synopsis and interpretation of the narrative. They have titles that refer to their functions. Stalker itself, which is an immersive experience as much as it’s a visual spectacle, loses its magnetic force when watched at home. Dyer’s evident nostalgia for that period is at times like that of Stalinists who miss standing in line for a loaf of bread — it is, more than anything, an act of willful disregard for modernity.
It is known that T. The tall man, the man we saw in the precredit sequence, is still there, drinking coffee, and the barman is still smoking.
Professor, Stalker, and Writer are on-screen, on the trolley, heading toward the Zone, faces in tight close-up, while, in dyeg unfocused background, some kind of landscape blurs past.
Never mind that the only known person to have visited it, named Porcupine, hanged himself shortly thereafter. Dyer’s relative distaste — his adoption of the robe and role of the old fogey — for the world in which he finds himself isn’t just related to film.
Watching Tarkovsky I haven’t read the book;nevertheless, I started my preparation for reading it. A collection of the best contributions and reports from the Telegraph focussing on the key events, decisions and moments in Churchill’s life.
Further egoff details that such a threesome aught to have been he and two women and he laments two such opportunities he missed. Nov 13, Pages. Dyer talks about the “possibility of cinema as semi-permanent pilgrimage site”.
It happens to be about one of my favourite films, but zonaa more to it than that. But what he does also bring is his own life–it’s Incredibly erudite, but weirdly a straightforward description of the film Stalker, filled with entertaining digressions. LitFlash The eBooks you want at the lowest prices. Inspiration, it turns out. Here is a book about a movie.
Dyer claims to love the film, but seems to secretly resent its hold on him. Jan 13, Jim rated it it was amazing Shelves: A snowstorm in June threatened to shut down geotf production completely.
Aug 22, Jeff Jackson rated it really liked it Shelves: He seems to have been given a contract by his publisher which says: Man, I know how he feels. In part, therefore, the work is a meditation on time and how it changes our perspective on the world as a whole and on particular cultural artefacts and works of art. I could do with a piece of that action myself. Tarkovsky is saying to the audience: This takes a bit of chewing and digesting.
I have read some commentaries on the movie. He has a wide-ranging intellect, an effortless facility with language, and a keen sense of humor. Both were systems defined by a culture of significant deficits.
Preview — Zona by Geoff Dyer. Things get blown apart and the jeep crashes through a pile of dher.
More, what they’d learned turned out to be empty. Now there is Geoff Dyer ‘s long essay entitled Zona: Because no other writer can flex and stretch in digressive prose more congenially than Dyer. Many reviewers have commented on the fact that a familiarity with the film is not a prerequisite for his book but I decided to go ahead and watch the film prior to my read.
The rumble of the train grows louder.
Stalker is followed by the man who treats us to another bit of slapstick—slipping convincingly on the steps.
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