Listen on Spotify View Our YouTube Channel Follow us on Twitter Find us on Facebook · Home · Composers · Catalogue Search. Composer Quick Links, Aa. Sergey Koussevitzky. Concerto for double-bass & orchestra, Op. 3. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. Contributor(s). Serge Koussevitzky ( – ) – Composer. Primary Item Type : Musical Score. Identifiers: LCSH Concertos (Double bass).
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However, he continued to return to Paris in the summers to conduct his Concerts Koussevitzky until ,oussevitzky Early 20th century Piece Style Romantic Instrumentation double bass, orchestra 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, harp, strings External Links Fleisher Collection.
It was that vision which convinced her that his Amati, which I am playing tonight, should be in my hands.
As this work was first published before or failed to meet notice or renewal requirements to secure statutory copyright with no “restoration” under the GATT amendments, it is very likely to be public domain in the USA as well.
Support the ASO with a contribution today. Please obey the copyright laws of your country. March 17, by ASO. Sergey Koussevitzky is remembered as a significant conductor with a vital interest in the music of his time, but he started out as a touring double-bass virtuoso. Drinking Hanging Kouzsevitzky In Love. A full pause precedes the third movement, another Allegro, which begins with the same declamatory theme as the first movement.
Jazz Latin New Age. Duration 20 minutes Composer Time Period Comp. During his time in Paris in the early s he programmed much contemporary music, ensuring well-prepared and good quality performances. But the score remained in manuscript even though the composer operated his own publishing company, and it went unplayed once Koussevitzky permanently put aside the bass inshortly after recording the concerto’s Andante movement with the Boston Symphony.
Together with Gertrude Robinson Smith he played a central role in developing the orchestra’s internationally acclaimed summer concert and educational programs at Tanglewood where today the 5,seat main performance venue bears his name. Here, for the first time, the composer periodically takes the instrument into its lower range, but only briefly, usually in the course of weaving the melody up and down the staff.
Olga Koussevitzky, his widow, was positively adamant that he wrote the Concerto without the aid of bazs other musicians. For the most part, Koussevitzky exploits the instrument’s middle and upper ranges, where it projects better, and is careful not to let the woodwind-tinged orchestration overpower the bass which ooussevitzky not a loud instrument, despite its size. April 24, — via http: Retrieved from ” https: Robert Forbergn. Share on facebook twitter tumblr.
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He excelled at the bass, joining the Bolshoi Theatre orchestra at the age of twenty, inand succeeded his teacher, Rambusek, as the principal bassist in The concerto falls into the conventional three movements, beginning with an Allegro that opens with a declamatory, Tchaikovsky -like theme succinctly stated by the orchestra, and answered by a short bass recitative. Bernstein once received a pair of cufflinks from Koussevitzky as a gift, and thereafter wore them at every concert he conducted.
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Get Email Updates Sign up for e-mails about special offers, upcoming concerts, new recordings and more. Olga Naumova was the daughter of the distinguished politician and civil servant Aleksandr NaumovSimbirsk —Nice.
The work reflects his search for the yet unrevealed dimension of the doublebass, for as Mme. Naumova had lived with the couple and acted as their dkuble for 18 years. Concertos ; For double bass, orchestra ; Scores featuring the double bass ; Scores dluble the orchestra ; For orchestra with soloists ; For double bass, piano arr ; Scores featuring the piano ; For 2 players.
Surprisingly, he did not encourage the prominent composers of the time to write for his instrument. Introspection Late Night Partying.
The soloist takes up the opening motto, presenting it lyrically yet passionately.
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